
Thu, 4 August 2022
9:00AM
The New Metaverse and Women of Color
Lisa Nakamura
Part of our 2022 series Image Complex, convened by Nick Croggon.
Part of our 2022 series Image Complex, convened by Nick Croggon.
GURINDJI WAYS OF BEING with Josie Crawshaw, Brenda L Croft, Leah Leaman & Felicity Meakins
This presentation explores the construction of socialist ways of seeing in Vietnam, focusing on the communist illustrated magazine, Vietnam Pictorial, which deployed color images as a means to project visions of socialist futurity, conjuring forth revolutionary renovations at a moment when victory had yet to be assured.
The second program in our 2022 series Image Complex, which introduces new scholarship on the way visuality shapes the history and politics of identity, technology and imperialism.
A workshop designed for scholars, students and curators of Asian art and photography.
This workshop will examine two photographically illustrated books on China: John Thomson’s Illustrations of China and Its People (1873-74), and Lang Jingshan’s (or Long Chin-san) catalogue, Exhibition of Pictorial Photography (1939). Though both books are apart in time and purpose, they are similar in using photography and text to depict China as a culture and concept at different geopolitical moments.
Can China and the Chinese be encapsulated in an image?
NYUNGAR WAYS OF BEING with Roma Yibiyung Winmar, Ken Hayward, Clint Bracknell, and Jarni McGuire
The first lecture in the 2022 Image Complex lecture series.
The fourth and final lecture in the 2021 Sydney Asian Art Series, delivered on 25 October 2021.
This event took place on 7 October 2021, as part of the Power Institute’s lecture series Linework: Lines, Lineages and Networks in Indigenous Art.
Artists Vernon Ah Kee, Julie Gough and Warraba Weatherall join the editors of Gordon Bennett: Selected Writings, Angela Goddard and Tim Riley Walsh, to consider Bennett’s indelible impact. Moderated by the Power Institute’s Deputy Director, Stephen Gilchrist.